How does sydney view the concept of imitation?

Contents

To, Sidney, poetry is an art of imitation for specific purpose, it is imitated to teach and delight. According to him, poetry is simply a superior means of communication and its value depends on what is communicated. So, even history when it is described in a lively and passionate expression becomes poetic.

Correspondingly, what are the major concepts of Sidney in his apology? Sidney’s program of literary reform concerns the connection between art and virtue. One of the themes of the Apology is the insufficiency of simply presenting virtue as a precept; the poet must move men to virtuous action. Poetry can lead to virtuous action.

You asked, how does Sidney define mimesis? Sidney references Aristotle, and the term he used, mimesis which means a representation, counterfeit, or metaphorically, a speaking picture. He writes that although it is possible to view poetry as a simply an unoriginal imitation, on the other hand poets are not limited by the rules of reality.

Moreover, what according to Sidney is the value and purpose of poetry? The ultimate aim of this kind of poetry is moral: the poet imitates, says Sidney, in order “both to delight and teach.” The object of both teaching and delighting is goodness: by delighting, the poet moves people to welcome goodness; and by teaching, he enables them to “know that goodness whereunto they are moved.” And …

In this regard, what is theory of imitation? In a strict sense, the theory refers to imitation of a reality that can be perceived through the senses. … The imitation theory is often associated with the concept of “mimesis”, a Greek word that originally meant “imitation”, “representation” or “copy”, specifically of nature.According to Sidney, “the ideal tragedy is an imitation of a noble action, in the representation of which it stirs, admiration and commiseration.” and teaches the uncertainty of the world and the weak foundations upon which golden roofs are built.

How does Sidney prove that poetry is superior to history and philosophy?

In Sidney’s view, poetry is superior to philosophy and history because of its ability to present vivid, compelling examples to the reader not simply of what has been or will be, but what should be. The philosopher can only articulate an abstract description of an ethical principle.

Who introduce the theory of imitation?

MOST prominent among the results of the attempt to apply psychology in the interpretation of social phenomena is the theory of imitation, formulated first by M. Gabriel Tarde2 in France and later, but independently, by Professor J. Mark Bald- win3 in this country.

What is imitation According to Socrates?

Imitation follows the principles of copy and model. In his first account of mimesis, Socrates argues that the most truthful object is what the maker god produces. … This principle of copy and model would indicate that there is another model before, and another model before that, and so on.

What two literary styles did Philip Sidney Most importantly contribute to?

  1. Which of the following literary styles did Philip Sidney make important contributions to? Drama and elegies. Epic poetry and odes.
  2. Why is Sidney’s Astrophel and Stella noteworthy? It presented intensely bawdy humor. It is the first English-language sonnet cycle.

How does Sidney examine pastoral poetry?

1) The Pastoral poem, which was considered the humblest kind of poetry, written in the lowest style. Sidney argues that even though these poems include simple country scenes based on “pretty tales of wolves and sheep,” they can also include “th ewhole considerations of wrong-doing and patience.”

What are Sydney’s contribution to English literature?

Sidney penned several major works of the Elizabethan era, including Astrophel and Stella, the first Elizabethan sonnet cycle, and Arcadia, a heroic prose romance. He was also known for his literary criticism, known as The Defense of Poesy.

What is Sidney’s response to Aristotle’s concept of imitation?

Speaking-picture becomes Sidney’s extension of Aristotle’s philosophy of imitation. Pleasure and learning result from imitation according to Aristotle’s De Poetics (1448); therefore, Sidney’s Horatian reference to “teach and delight” also suggests Aristotle as an indirect source for this theory (Manganaro 48-49).

How does Aristotle deal with the idea of imitation?

According to Aristotle’s theory, moral qualities, characteristics, the permanent temper of the mind, the temporary emotions and feelings, are all action and so objects of poetic imitation. Poetry may imitate men as better or worse than they are in real life or imitate as they really are.

What is theory of imitation in philosophical point of view?

In his theory of Mimesis, Plato says that all art is mimetic by nature; art is an imitation of life. He believed that ‘idea’ is the ultimate reality. Art imitates idea and so it is imitation of reality. … Plato rejected poetry as it is mimetic in nature on the moral and philosophical grounds.

What is the object of imitation?

The object of imitation is one of the fundamental elements of mimesis in poetry; the other two are the medium and mode of imitation. All poetry, Aristotle seems to suggest, is at base the representation of human consciousness and actions.

What is Dryden’s concept of poetic imitation?

The generally accepted view of poetry in Dryden’s day was that it had to be a close imitation of facts past or present. … While the poet is free to imitate “things as they are said or thought to be”, he also gives spirited defence of a poet’s right to imitate what could be, might be or ought to be.

How does Johnson defended Shakespeare’s mixing of tragic and comic elements?

Johnson defends the mixing of tragic and comedic elements in Shakespeare’s tragedies by putting them in the context of the playwright’s overall aim. This aim was to present the human condition in a realistic way. Because life is full of tragedy and comedy, Shakespeare’s plays are as well.

Who called tragicomedy as mongrel?

Sidney, however, was at pains to find any “delightful teaching” in what he called the “mongrel tragi-comedy” of his day, even though a play like Richard Edwards’ Damon and Pithias (1563), a “tragical comedy” full of “matter, mix’d with mirth and care”, had already appeared.

Back to top button